Being the first of a string of brand new projects, this eponymous first album sees Soundway taking a slightly different direction in 2012 and beyond. Championed mostly for their work in un-earthing and re-releasing classic, rare and vintage tropical recordings, Soundway have started signing new acts that have drawn on and been inspired by the kind of music found on the label’s groundbreaking compilations and re-issues.

What originally started out as a radio show designed to promote new African music has slowly evolved into a collaborative project crossing continents.

Whereas nearly all of kuduro (Angolan electronic music) has no links with its country’s musical heritage, it is deeply engrained in Batida’s music. Sampling tracks from 1970s Angola, Batida is a reinterpretation of Angola’s musical past, bringing it firmly into the modern day.

Batida’s high energy live show features dancers, live samples, percussionists, MCs alongside visuals and images (both archive and new) of Angolan streets, war and fragments of tribal life.

1. Pronto pra Batida feat. MCK
2. Algeria
3. Yumbala feat. Circuito Feixado
4. Tirei o Chapéu feat. Ikonoklasta
5. Puxa feat. Beat Laden
6. Bazuka (Quem me rusgou)
7. Tribalismo feat. Circuito Feixado (CD ONLY)
8. Ka Heueh feat. Ngongo
9. Saudade feat. Bob da Rage Sense
10. Cuka feat. Ikonoklasta

The majority of the records were of the ska and rocksteady persuasion but one or two stick out as being slightly different.

‘Soul Food’, a super weighty instrumental soul / blues / funk b-side was released in 1969/70 on Rude Boy Records featuring amongst others Ghanaian saxophonist and vocalist Teddy Osei (who went on to form the Afro rock band Osibisa). ‘Booma Woman’ was also a B-side in a more reggae-funk style released possibly a year later featuring vocalist Jean Manix.

Both have been out of print ever since and are re-released with the Nelson families’ full permission.

Nelson was a very popular and well-loved figure in Guyanese society and many of his songs have become nationalist and political songs that have become part of the national psyche.

The 7” vinyl is limited to 1000 copies and comes with a free MP3 download of the release.

TRACKLISTING:
7″ VINYL SINGLE (SNDW7016)
A1 The Booma Rockers – Soul Food
B1 The Booma Rockers – Booma Woman

The majority of their songs were based around a 6/8 rhythm influenced by the music of the Ewe people from the South East of Ghana and Western Togo. With themes that draw heavily on traditional folklore and deep philosophy the album has a heavy feel that sets itself well apart from the much of the lighter happier highlife of the previous decade. Alongside Fela’s first few albums, Blo’s Chapter One and Mono Mono’s Give The Beggar A Chance this was one of the very earliest Afro – Rock LPs released in West Africa and has remained out of print for nearly forty years. Projection One never got a release in the band’s home country of Ghana and apparently sailed way over most peoples heads at the time. Very much like the debut Hedzoleh Soundz album that Soundway re-issued in 2010 (another Ghanaian band that were recorded in Lagos, produced by Iruoje on the recommendation of Fela Kuti) the only copies that made it back to Ghana were the few that the band took back themselves.

Soundway will release Projection One here in it’s full original format on gatefold vinyl as well as on CD for the first time: remastered and accompanied by liner notes that contain the reminiscences of band leader Nana Danso (who subsequently founded and now runs the Accra-based Pan African Orchestra).

Tracklist:

1. Darkness
2. Gondzin
3. Edzayawa
4. Naa Korle
5. Amanehun
6. Abonsan
7. Obuebee
8. Adesa

Disc 1 tells the story of some the earliest Colombian cumbia recorded, a genre that captured a nation, spreading from its birthplace on the Caribbean coast in land to central Colombia and the capital Bogota. Disc 2 sees the evolution of cumbia. Greats of Colombian music like Alberto Pacheco, Toño Fernandez & Anibal Velasquez brought the music forward, bringing new influences and instruments to the genre. What had once been considered the music of the underclasses had risen up as the new sound of a nation.

After five years of becoming slowly submerged in Colombian musical culture, learning the accordion, setting up a band and a studio, and scouring the country in search it’s recorded legacy, Will ‘Quantic’ Holland (Quantic Soul Orchestra & Quantic y su Combo Barbaro) has compiled the fruits of his labour into this unique compilation that tells the story of cumbia in the years of the phonograph record’s supremacy. Along with good friend and head of Soundway Records, Miles Cletet, Will Holland has condensed hundreds of 78s, 45s and LPs into just over two and a half hours of the finest Colombian cumbia.

Both vinyl editions come with a bonus track and are limited to 1500 copies.

“The whole album is simply stunning with a superb track listing” Laurent Garnier

“These CDs put history not in the museum but firmly in the middle of the dancefloor.” The Telegraph – Pop CD of the Week

“It’s a magnificent cumbiapedia.” The Observer

“Joyful tropical madness.” MOJO

‘The Original Sound of Cumbia’ Medley by Soundway

Tracklist

Disc 1 / SNDWLP032A

1. Gastón (El Isleño) con El Conjunto de Jaime Simanca – La Cumbia Está Llamando
2. Conjunto Los Rumberos – Cumbia del Puerto
3. Lucho Peréz – Judith
4. Alberto Pacheco y su Conjunto – Sembrando Café
5. Rafeal Yepes Crespo con sus Negros de la Región – Nubia en la Playa
6. Santander Flores – Capital Cebuista
7. Ruffo Garrido y su Conjunto – El Pájaro Prieto
8. Conjunto Ritmos del Caribe – La Fullera
9. Anibal Velásquez y Su Conjunto – San Jacinto
10. Orquesta Ritmos de Sabanas – Montería
11. Baldomero Urieles con Efrian Burgos y su Conjunto – Amor del Magdalena
12. Los Alegres del Valle – Samaria
13. Conjunto Martínez – Cumbia Fonsequera
14. Silvio Guzman y Conjunto Jose M. Peñaranda – Canto a Betty
15. Pedro Salcedo y su Orquesta – La Vaca y El Caporal
16. Los Alegres Bucaneros – Cumbia Bucanera
17. Gildardo Montoya y Conjunto Los Rumberos – Fabiola
18. Guillermo Munoz y Conjunto Típico del Magdalena – Cumbia de Todos
19. Cresencio Salcedo – Me Quedo con el Viejo
20. Lalito y Conjunto Colombia – Flores de Colombia
21. Nacho Paredes con Los Vaqueros Sabaneros – Dulce Lamento
22. Los Ases del Ritmo – La Margarita
23. Emiro Caicedo y su Combo – Los Cumbiamberos
24. Hugo Racedo y su Conjunto – Cumbia del Magdalena
25. Trio Serenata – Cumbia Sobre El Mar
26. Los Indígenas – Sangre Goajira
27. Toño Fernandez – La Muerte
28. Los Hermanitos Ferreyra – Cumbia del Mar

Vinyl bonus track

Angel Martinez con Los Sabaneros – Cumbia Alegre

Disc 2 / SNDWLP032B

1. Betopey – Cumbia del Carnaval
2. Conjunto Miramar – Reina de Cumbias
3. Los Cumbiamberos de Chorrera – La Millera
4. Andrés Landero – Rosa y Mayo
5. Los Tigres con Morgan Blanco – La Culebra
6. La Cumbia Soledeña – Tambo, Tambo
7. Jaime Simanca y sus Fandangueros – Cumbia Negra
8. Aniceto Molina y su Conjunto – Cumbia Candela
9.Banda Bajera de San Pelayo – Descarga en Cumbia
10. Alberto Pacheco – Guayabita Colorá
11. Banda 11 de Enero de Murillo – La Cachona
12. Lucho Campillo y su Conjunto – Rastrillando
13. Carlos Román – El 4 y 5
14. Banda 2da de Laguneta Córdoba – Tracionera
15. Satanás y su Grupo – Cumbia de La Montaña
16. Toño Fernández – La Guacharaca
17. Lucho Yepez – La Gaita del Pato
18. El Pholy Combo – El Porro es Hermano De La Cumbia
19. Grupo Costa Brava – A Baranoa
20. Elías Morón y su Conjunto Vallenato – Playas Embrujadas
21. Chico Cervantes – Cumbia Colombia
22. Anibal Velásquez y su Conjunto – Cumbia Bogotana
23. Alfonso Puerta y su Conjunto – Pescadores del Mar
24. Miguel Durán – Elionora
25. Celia Estremor y su Grupo de Baile Cantao – El Secuestro
26. Hermanos Tuiran – Lluvia
27. Unknown – El Niño Llora

Vinyl Bonus Track

Heber Macias – Cumbia Linda

Track list:

A1: Tequila – Orquesta Tropicana
B2: Lluvia – Sonora Tropical

From an early stage in their career it was the African influence that set Black Truth Rhythm Band apart from other West Indian bands. Formed in 1971, the group looked further a field than the USA for their influences, more specifically to Africa, even going as far as giving themselves African names and dressing in African clothes. At the time finding African records in the West Indies was particularly difficult, making the bands choice of influences even more rare.

In 1975 Imo took his musicians into the studio to record the album ‘Ifetayo’. Imo played bass, kalimba, conga, flute and percussion as well as lead vocals.  The album was released the following year in 1976 and despite being released in the US, remained an underground, albeit unique and forward thinking record that has remained out of print for years now.

‘Ifetayo’ was to be the only release from Black Truth Rhythm Band but Imo continued his music and love of African rhythms, going onto record with Fela Kuti in 1988 and later on perform with members of Fela’s Egypt 80 band.

All formats comes with a non-album bonus track. The vinyl edition comes with bonus 7″

Tracklist

1. Ifetayo
2.You People
3. Save D Musician
4. Kilimanjaro
5. Aspire
6. Umbala
BONUS TRACK (CD & LP VERSION): Imo